A spectacular display of this key European writer's early work This dazzling collection of stories follows the individual adventures of a varied cast of characters and masterfully illustrates Calvino's unique perspective and narrative gifts. As well as the thirteen tales from his Difficult Loves collection this volume also includes Smog and A Plunge into Real Estate.

Intricate interior lives are brilliantly explored in these short stories, now presented in one definitive collection as Calvino intended them In Difficult Loves, Italy’s master storyteller weaves tales in which cherished deceptions and illusions of love—including self-love—are swept away in magical instants of recognition. A soldier is reduced to quivering fear by the presence of a full-figured woman in his train compartment; a young clerk leaves a lady’s bed at dawn; a young woman is isolated from bathers on a beach by the loss of her bikini bottom. Each of them discovers hidden truths beneath the surface of everyday life. This is the first edition in English to present the collection as Calvino originally envisioned it, and includes two stories newly translated by Ann Goldstein.

Maria is, in no particular order: a concept artist at a videogame studio, the goddess of Mount Makiling in the Philippines, and in love. And when Maria falls in love, tragedy and death follow. It’s going to take everything a goddess, her newly-befriended demon-horse, and Canadian national treasure Margaret Atwood have to break the cycle.

Examining Calvino's literary experiments as a young artist in search of his narrative voice, Ricci explores the psychological and existential motivations intrinsically linked to the writer's need for textual and systemic patterning. I racconti contains some of Calvino's least-read works, yet these early stories address issues, present scenarios and generate a growing variation of themes that form the heart of Calvino's narrative discourse. Ricci points out that melancholy permeates Calvino's works--even at his most playful. He suggests that if Calvino's highest merit was his sense of wonder and his urge to transform and defeat obscurantism with all the joy he could muster, one must remember that his work expressed, often painfully, the limits of human rationalism. I racconti can thus be read as a catalogue of the anxieties of both the young author and postwar Italian society.

Online version of the 2-vol. work issued by St. James Press, 2003, in series St. James reference guides.

A treasury of love stories from around the world features a wide range of contributors from Chekov, Joyce, and Colette to Alice Walker, John Updike, and Raymond Carver, and captures the many moods of love and the parallels between cultures. UP.