Annabelle Doll, Tiffany Funcraft, and their families are whisked out to sea when the Palmers accidentally place them in a box destined for charity donation. And it turns out they're not alone-there are plenty of other doll people on the ship, too. After traveling thousands of miles, will they be able to find their way home? In the fourth installment in the beloved Doll People series, Brett Helquist joins Ann M. Martin and Laura Godwin on another exhilarating adventure from a doll's-eye view. Praise for The Doll People Set Sail * "A rousing adventure that treats fans to thrilling action (on a miniature scale) and personable new dolls to discover." -Publishers Weekly, starred review "Fans will welcome aboard Helquist, whose artwork is inspired by and takes off from the excellent illustrations established in the earlier books by Brian Selznick; indeed, Annabelle is even more winsome and expressive here.... Readers are guaranteed very smooth sailing." -Kirkus Reviews "This is a good choice for independent readers ready to try something longer." -School Library Journal "Though it's not necessary to have read the first three entries, it's the stalwart fans who will be cheering 'Doll power!' the loudest as these beloved characters prove once again they can all work together despite their very different personalities, the Dolls and the Funcrafts combining their traits of caution and courage in the best way possible." -Horn Book Praise for The Runaway Dolls * "Fast-paced, satisfyingly developed, the book is doubly enjoyable for its foundation in a solidly imagined doll culture." -Publishers Weekly, starred review Praise for The Meanest Doll in the World * "Wrapped in humor and adventure are serious considerations of self-esteem, the power of intimidation, and the nature of friendship." -Kirkus Reviews, starred review Praise for The Doll People "Entertaining and satisfying." -The New York Times * "Doll lovers may well approach their imaginative play with renewed enthusiasm and a sense of wonder after reading this fun-filled adventure." -Publishers Weekly, starred review * "[A] marvelous treat." -Kirkus Reviews, starred review

A family of porcelain dolls that has lived in the same house for one hundred years is taken aback when a new family of plastic dolls arrives and doesn't follow The Doll Code of Honor.

Christmas is Annabelle Doll's favorite time of year. She loves celebrating with her family, and she especially loves all the beautiful decorations Kate and Grandma Katherine put up in the dollhouse. She can't wait to have Tiffany and the rest of the Funcrafts over for their very first Christmas. But when the angel topper for the Dolls' tree breaks, Annabelle is convinced the holiday is ruined. And things only get worse when Kate and Nora decide to use the dolls to create a nativity scene downstairs, meaning Annabelle won't be able to keep her special traditions at all! But as Christmas spirit fills the Palmers' home, Annabelle realizes that all she needs for a truly perfect holiday is to share it with her friends and family. Praise for the Doll People series: The Doll People * "[A] marvelous treat." -Kirkus Reviews, starred review The Meanest Doll in the World* "Wrapped in humor and adventure are serious considerations of self-esteem, the power of intimidation, and the nature of friendship." -Kirkus Reviews, starred review The Runaway Dolls* "Fast-paced, satisfyingly developed, the book is doubly enjoyable for its foundation in a solidly imagined doll culture." -Publishers Weekly, starred review The Doll People Set Sail* "A rousing adventure that treats fans to thrilling action (on a miniature scale) and personable new dolls to discover." -Publishers Weekly, starred review

Annabelle Doll, Tiffany Funcraft, and their families are whisked out to sea when the Palmers accidentally place them in a box destined for charity donation. And it turns out they're not alone-there are plenty of other doll people on the ship, too. Af

Annabelle Doll is eight years old-she has been for more than a hundred years. Not a lot has happened to her, cooped up in the dollhouse, with the same doll family, day after day, year after year. . . until one day the Funcrafts move in.

Best friends Annabelle and Tiffany risk placing all of dollkind in danger when they run away while trying to prevent Tilly from being sent back to London before they can determine if she is Annabelle's long-lost baby sister. 175,000 first printing.

A story that teaches little girls how to grow up to be good house-keepers, told through the lives of a family of paper dolls.

Best friends Annabelle and Tiffany risk placing all of dollkind in danger when they run away while trying to prevent Tilly from being sent back to London before they can determine if she is Annabelle's long-lost baby sister.

Annabelle Doll and Tiffany Funcraft are two dolls who have been best friends since they met in Kate Palmer's house at 26 Wetherby Lane. In this sequel to The Doll People, they hitch a ride in Kate's backpack and find themselves in the biggest adventure of their lives, a day at school! But when an attempt to return home lands them in the wrong house, they're in far deeper trouble than they imagined. Along with a host of new doll friends, they also encounter Mean Mimi, the wickedest doll of all. Mean Mimi is mean-really mean-and she's determined to rule all of Dollkind or else destroy it. Will the world ever be safe for dolls again? In this masterfully plotted sequel, Ann M. Martin and Laura Godwin, with the help of Brian Selznick's ingenious black-and-white illustrations, take the reader on another nonstop adventure from a doll's eye view! /DIVDIV

Patterns and instructions for making the various members of the Littlefield doll family, from grandparents to grandchildren. Includes a family history.

CHBiographies

Six friends are returning home from a night out when they end up in a town called Stokes. They discover they are trapped there, as Stokes does not really exist. The actual town had burned to the ground more than fifty years ago. The Stokes they are in is a nightmare version of the former town, engineered by a deranged and undead mind, a supernatural machine of wrath that will destroy them one by one … unless they submit to its dominance and become living dolls.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

At the time of its "discovery", the American continent was identified as the Fourth World of our planet. Today the term has been taken up again by its "Indian" or native peoples to describe their own world - both its threatened present condition and its political history, which stretches back thousands of years before Columbus. Using indigenous sources as primary sources, Book of the Fourth World explores the landscapes and chronologies of this world as they have been seen and interpreted from the inside. Mapping the continent by this literary means, it pays particular attention to the well-documented traditions of the Nahuatl (Aztec) and Maya to the north of the isthmus, and of the Quechua-speaking Inca to the South. According to both the literary evidence and the testimony of native Americans themselves, notably at the Quito Conference of July 1990, an underlying coherence is to be found in the creation story told in the "bible of America", the Popol vuh of the Quiche Maya. A classic of world literature, this 16th-century work sets out a story of evolution understood by Europe only hundreds of years later; its natural philosophy is now being defended, as a way of life critical to that of the planet itself, in the tropical forests of the Amazon. Taking a skeptical view of the 1992 quincentenary and respecting the testimony of the Indians themselves, this study brings together a wide range of evidence from what is now Latin and Anglo America. In doing so, it offers detailed analyses of texts ranging far back into the centuries of civilized life that antedated Columbus.

Classic horror films such as Dracula, Frankenstein and The Picture of Dorian Gray are based on famous novels. Less well known—even to avid horror fans—are the many other memorable films based on literary works. Beginning in the silent era and continuing to the present, numerous horror films found their inspiration in novels, novellas, short stories and poems, though many of these written works are long forgotten. This book examines 43 works of literature—from the famous to the obscure—that provided the basis for 62 horror films. Both the written works and the films are analyzed critically, with an emphasis on the symbiosis between the two. Background on the authors and their writings is provided.

In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills—including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International’s 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.

Sisters Flora and Ruby have begun to fight all the time, and it might take the entire town to get them back together and make them realize how much they've grown up since their parents died.