The latest addition to the best-selling Words Are CATegorical® series, this fun-filled guide uses playful puns and humorous illustrations to creatively clarify the concept of pronouns. Key pronouns appear in color for easy identification to show, not tell, readers what pronouns are all about.

Uncommon times call for uncommon wisdom. It’s inspiring to hear from people who’ve graduated from the school of hard knocks, yet kept a sense of humor. People like Twain, Voltaire, Oscar Wilde. People who've said the thing so well that we all wish we'd said it. People who've been there, done that, and refuse to sugarcoat what they've learned. People who know, as Sherry Hochman puts it, that "Every day is a gift—even if it sucks." From Kathryn and Ross petras, curators of craziness (and surprising smarts), comes a timely collection of reassuring reality: "Why is there so much month left at the end of the money?"—John Barrymore "October. This is one of the peculiarly dangerous months to speculate in stocks in. The others are July, January, September, April, November, May, March, June, December, August, and February." —Mark Twain "I know God will not give me anything I can't handle. I just wish he didn't trust me so much."—Mother Teresa "When one burns one's bridges, what a very nice fire it makes."—Dylan Thomas "If you think you have it tough, read history books."—Bill Maher And Voltaire: "Life is a shipwreck but we must not forget to sing in the lifeboats."

An anthology of modern poems touching on such phenomena as parents, love, suicide, dentists, poets, insomnia, marriage, Sundays, cemeteries, and cats.

Seventeen-year-old Hazel Clarke is no stranger to heartbreaks, and being sent to live with a father she’s never met is the latest in a string of them. Even the beauty of eastern Australia isn't enough to take her mind off of her mother, who suffers from early-onset Alzheimer's and is living in a nursing home in England. But when Hazel meets the friendly, kindhearted Red and his elusive twin, Luca, she begins the slow process of piecing together a new life—and realizes she isn't the only one struggling with grief. As friendships deepen and love finds its way in, Hazel also learns that when you truly love someone, they are never really gone. Don't Forget Me is Victoria Stevens's sparkling debut, and a touching testament to coming of age, falling in love, and finding home in unlikely places.

Beginning in 1924, Proceedings are incorporated into the Apr. no.

Lists the songwriter, performer, and year for more than twelve thousand American songs and includes the Academy Award and Grammy award winners

An anthology of new Scottish plays selected by Ian Brown (former director of the Traverse theatre) and Mark Fisher (Editor of Theatre Scotland) The Cut, by Mike Cullen is "A real discovery, an explosive thriller...Cullen's dialogue is demotic, foul-mouthed and occasionally bitterly funny, and the sense of violence and claustrophobia is often almost unbearably intense"; The Life of Stuff - "This brutally funny piece is almost unclassifiable. Imagine a collaboration between Joe Orton and William Burroughs and you will have some idea of Simon Donald's play: a ruthlessly and compulsively hilarious dark comedy thriller"; Bondagers, by Sue Glover "A striking experience...the mastery of the play was its rich, resonant musicality...All brilliantly structured, surging - with terrific dramatic energy"; Juliet Allardyce, by Duncan McLean "It is loud, coarse-tongued and funny, a series of affectionate, but telling snapshots which add up to a revealing portrait of the North-East as it is now" (Julie Morrice, Scotland on Sunday)