Search results for: philippe-parreno

Philippe Parreno Applied Cinema

Author : Jörn Schafaff
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At the beginning of the 1990s, the preoccupation with the conditions of exhibiting again became a focus of artistic practice. For Philippe Parreno, one of the key questions was how art could react to the cultural and social challenges of the information age. His main concern was the exhibition as a cultural format of presentation and as an artistic medium that, more than any other means of artistic creation, determines the framework for the artist's participation in public discourse. By applying the features, procedures, and terminology of ?lm and other culturally dominant formats of information he explored and put up for discussion some of the essential factors of display: the way in which space and time are handled, the status and function of the exhibit, the roles and behavior of artist and audience. By reframing the notion of ?exhibition? in this way he created scenarios that oscillated between different states, categories, and meanings, depending on how the people involved related to them. His artworks in exhibition format were thus also a critique of how mass media, art, and art institutions work to produce meaning and inform the behavior of their audiences.00Exhibition: Galerie Ester Schipper, Berlin, Germany (11.09.2020 - during the Gallery Weekend).

Philippe Parreno

Author : Philippe Parreno
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The Serpentine Gallery, London, presents Philippe Parreno's first solo exhibition in UK, 25 November 2010 - 13 February 2011. Parreno rose to prominence in the 1990s, earning critical acclaim for his work, which employs a diversity of media including film, sculpture, performance and text. The exhibition at the Serpentine Gallery has been conceived as a scripted space in which a series of events unfolds. The visitor is guided through the galleries by the orchestration of sound and image, which heightens their sensory experience. Published to accompany Parreno's exhibition, this catalogue functions as a retrospective study of the artist's films. The Serpentine Gallery presents the UK premiere of Parreno's latest film, Invisibleboy (2010). Also included are the films June 8, 1968 (2009), And The Boy from Mars (2003).

Philippe Parreno Gropius Bau Sommer 2018

Author : Philippe Parreno
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Philippe Parreno transforms the Gropius Bau into a gigantic automaton, driven by a bio-reactor. Yeast cultures multiply and set architecture, light, sounds and images in motion. Connected to computers, these micro-organisms develop a collective intelligence, a memory that uses complex algorithms to orchestrate the temporal and spatial events of the exhibition. 0The catalogue covers aspects like immersion, simulation and reincarnation and show how the artist blurs the boundaries between reality and fiction, creating a choreography of absence and presence that challenges our knowledge of the simultaneity of things and their control.00Exhibition: Gropius Bau, Berlin, Germany (25.05.-05.08.2018).

Contemporary Art and the Digitization of Everyday Life

Author : Janet Kraynak
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Digitization is the animating force of everyday life. Rather than defining it as a technology or a medium, Contemporary Art and the Digitization of Everyday Life argues that digitization is a socio-historical process that is contributing to the erosion of democracy and an increase in political inequality, specifically along racial, ethnic, and gender lines. Taking a historical approach, Janet Kraynak finds that the seeds of these developments are paradoxically related to the ideology of digital utopianism that emerged in the late 1960s with the rise of a social model of computing, a set of beliefs furthered by the neo-liberal tech ideology in the 1990s, and the popularization of networked computing. The result of this ongoing cultural worldview, which dovetails with the principles of progressive artistic strategies of the past, is a critical blindness in art historical discourse that ultimately compromises art's historically important role in furthering radical democratic aims.

Philippe Parreno

Author : Andrea Lissoni
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Philippe Parreno

Author : Christine Macel
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Philippe Parreno exibition held at the Centre Pompidou Galerie Sud from June 3 to September 7 2009 three other distinct exhibitions are presented at the Kunsthalle Z rich Zurich from May 9 to August 16 2009

Author : Christine Macel
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Parade

Author : Philippe Parreno
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In collaboration with the American illustrator Johan Olander, Philippe Parreno has created this children's book. Sixteen monsters are presented, described, and illustrated. In the form of a fable written by the artist, the parade of monsters confronts the reader with figures such as Propaganda Rabbit, Beamer, Audiotron, and Reality. Designed by M/M, the book is published with the Centre Pompidou, Paris; the Kunsthalle Zürich, Zurich; the Irish Museum of Modern Art, Dublin; and the CCS, Bard College, New York. English text.

Bestiario

Author : Philippe Parreno
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Tiré du site de l'éditeur: "To accompany this year's issue of Matador, La Fábrica presents a new, unique, large-format artist book, which on this occasion has been specially created by the multimedia artist Philippe Parreno, regarded as "the master of installation". Bestiario brings together 24 images comprising a collection of Parreno's fantastic creatures which nourish his otherworldly creative universe. A key artist of his generation, Parreno rose to prominence in the 1990's and is regarded as one of the most innovative and intriguing international artists. Talent, imagination, magic, technology, poetry and light are some his trademarks. He creates installations, films, music, drawings, sculptures, text pieces, performances and other works that span different media, while asking viewers to join him in a journey to a personal, imaginative and subtle universe, where the boundaries between tangible and imagined, real and apparent, objective and subjective, present and memory, become vague and blurred."

C H Z Philippe Parreno

Author : Philippe Parreno
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created "C.H.Z." in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect of multiple stars is black vegetation. Working with landscape architect Bas Smets, the artist painstakingly constructed a garden of black plants on the side of a mountain in Portugal, where the garden continues to flourish outside the framework of an art object; Parreno then shot a poetic, abstract film in that alien landscape, rendering the territory inescapably cinematic. "C.H.Z." features the artist's dark, impasto ink drawings, which functioned as a storyboard for the cinematographer Darius Khondji, as well as sequences of stills of the seven stages of the film. Parreno's reflections and commentary are featured alongside the images and paired with comprehensive essay by Nancy Spector, deputy director and chief curator of the Guggenheim Museum, New York.

No Ghost Just a Shell

Author : Pierre Huyghe
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Edited by Pierre Huyghe and Philippe Parreno. Essays by Molly Nesbit, Hans Ulrich Obrist, Maurizio Lazzarato, Israel Rosenfield, Maurice Pianzola and Kathryn Davis.

Alien affection

Author : Philippe Parreno
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Drift

Author : Philippe Parreno
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Artist and filmmaker, Philippe Parreno, who created the documentary, Zidane: A 21st Century Portrait, takes us in Drift on a unique voyage through London - a journey without the typical purposes of a journey, an artistic, psychogeographical path - part of a series of twelve books tied to the twelve lines of the London Underground, as Tfl celebrates 150 years of the Tube with Penguin 'Authors include the masterly John Lanchester, the children of Kids Company, comic John O'Farrell and social geographer Danny Dorling. Ranging from the polemical to the fantastical, the personal to the societal, they offer something for every taste. All experience the city as a cultural phenomenon and notice its nature and its people. Read individually they're delightful small reads, pulled together they offer a particular portrait of a global city' Evening Standard 'Exquisitely diverse' The Times 'Eclectic and broad-minded ... beautifully designed' Tom Cox, Observer 'A fascinating collection with a wide range of styles and themes. The design qualities are excellent, as you might expect from Penguin with a consistent look and feel while allowing distinctive covers for each book. This is a very pleasing set of books' A Common Reader blog 'The contrasts and transitions between books are as stirring as the books themselves ... A multidimensional literary jigsaw' Londonist 'A series of short, sharp, city-based vignettes - some personal, some political and some pictorial ... each inimitable author finds that our city is complicated but ultimately connected, full of wit, and just the right amount of grit' Fabric Magazine 'A collection of beautiful books' Grazia [Praise for Philippe Parreno's work]: 'Exceptional ... a small masterpiece', Laura Cumming, Guardian 'One of France's hottest commodities. An artist with an almost chameleon-like approach to his medium, he can switch from film-maker to sculptor to storyteller to producer with the kind of dexterity that defies categorisation' Guardian Philippe Parreno is an Algerian artist and filmmaker who has had shows in major art galleries around the world and is considered the finest writer among artists by curators such as Hans Ulrich Obrist. Based in Paris, his documentary film Zidane: A 21st Century Portrait was released in 2006. He has exhibited in MoMA, Tate Modern and the Guggenheim, among others.

Philippe Parreno

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Philippe Parreno's retrospective at London's Serpentine Gallery, his first in the UK, catalogued many of the principal questions of our times, including whether identity is innate to individuals or the product of normative rules and the machinations of power. But rather than tackling these questions head on, the Parisian artist's large, multiplatform installation focused on the role of the individual in collective action. The show was accompanied by a two-part seminar on the "Construction of Character", during which various panelists discussed the idea of subjective invisibility or absence in the visual arts.

Snow Dancing

Author : Philippe Parreno
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Conversation manuscript

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Philippe Parreno Edited by Enrique Juncosa Et Al

Author : Philippe Parreno
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Exhibition also held in three other locations.

Rirkrit Tiravanija

Author : Philippe Parreno
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49th Esposizione Internationale D arte

Author : Biennale di Venezia
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The Biennale of Sydney at the Art Gallery of New South Wales

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