On a calm moonlit night, as the scent of jasmine and pine embraced the island of Ascension, the pirate prince Lazar di Fiori returns with lethal grace to avenge what was stolen from him: his kingdom, his birthright, his soul. . . . Allegra Monteverdi, the daughter of Lazar's sworn enemy, proves an uncommonly powerful adversary. She throws herself on his mercy, her courage and beauty touching his cold, unforgiving heart. He agrees to spare the lives of her family--but only if Allegra sails away with him as his captive. For his quest for vengeance still burns fiercely, and he will settle for nothing less than Allegra's body and soul. Alone at sea with this dark, intriguing man, moving between seduction and fear, Allegra gazes into eyes as deep and mysterious as the night and sees who this pirate really is. Lazar--the prince of her childhood dreams. Though he was rumored to be murdered years ago, she always believed someday he would return. But it will take more than her love for this pirate prince to bring peace to her beloved home. For Lazar must face the demons of his shattered past--if he is to forge the destiny that is theirs to claim. . . .

She was his deffiant captive. With her flame gold-hair and azure eyes, Skye Kinsdale was a prize beyond compare. Betrothed to a lord she'd never met, she set sail for America sworn to reject him on sight until the infamous pirate Silver Hawk seized her ship and banished all other men from her life. Burning with rage and passion, she was determined to destroy the arrogant buccaneer, to be free at any cost... He Was Her Keeper...And Her Slave The black prince of the seas, he was feared by pirate and privateer alike. Silver Hawk vowed he would have the vixen, make her crave his savage embrace. She was his—by law of the sea. The man who commanded a Caribbean kingdom swore he would teach his wild temptress to love, to surrender to the lawless thrill of...A Pirates Pleasure.

In this work, Peter Ludlow offers a collection of writings that reflects the eclectic nature of the online world, as well as its tremendous energy and creativity. This time the subject is the emergence of governance structures within online communities and the visions of political sovereignty shaping some of those communities. Ludlow views virtual communities as laboratories for conducting experiments in the construction of new societies and governance structures. While many online experiments will fail, Ludlow argues that given the synergy of the online world, new and superior governance structures may emerge. Indeed, utopian visions are not out of place, provided that we understand the new utopias to be fleeting localized "islands in the Net" and not permanent institutions.

Traces the high-stakes quest of John Mattera and Shadow Divers' Chatterton to find the lost pirate ship of Joseph Bannister, discussing their teamwork with technology-eschewing Tracy Bowden and the story behind Bannister's elusive treasure. By aNew York Times best-selling author. Illustrations. Map(s). Tour.

When Captain Black the pirate loses his glass eye, a pauper finds it and creates a book from images of the captain's experiences that he sees within it, resulting in a change in both their lives.

Ariana Wellsley finds herself falling in love with Jeremy Corbett, the brash pirate who kidnapped her

Pug and Lady Miranda are off to the seaside! Pug is dreaming of naps under the beach umbrella, but when a little mishap means he has to wear an eyepatch, things quickly get a lot less snoozy! Soon Pirate Pug and his ragtag crew of friends find themselves on the trail of buried treasure. They have to reach the island where X marks the spot before the other pirates beat them to it. There's just one problem – Pug is scared of water! Laura James's fourth book about a roly-poly pug and his best friend, Lady Miranda, is perfect for fans of Claude and Squishy McFluff

Twenty-four sticker images of pirates wielding swords and pistols, digging for treasure, plus a colorful background scene, make for loads of swashbuckling fun.

When a hypnotist convinces Pete's mother that she is a pirate, Pete tries to find a way to turn her back into a regular parent.

Blackbeard meets the pirate at Topsail Island, North Carolina.

Young Alvin sails off with a band of pirates, who seem to think that he is their captain, and they all engage in a food fight with the crew of another pirate ship.

A pirate’s beautiful daughter goes in search of the tantalizing riches promised in a treasure map, unaware that the handsome rogue who assists her is really the man who killed her father.

Eloise loves to play dress-up, but when she is a pirate she has a hard time finding treasure, even when she enlists the help of the staff at hotel the where she lives.

When a hypnotist convinces Pete's mother that she is a pirate, Pete tries to find a way to turn her back into a regular parent.

'Appropriation', 'bricolage', 'recording', 'scavenging'—a scenario of image piracy has provided the buzzwords of pop cultural theory for most of the 1980s. while programmes for political action in culture have increasingly taken the form of a romance of buccaneering, the more sedate theoretical disputes about postmodernism have begun to generate a myth that feminists, or even women, have so far said little or nothing about one of the most action-packed debates of the decade. Taking her title from a 1969 film by Nelly Kaplan, Meaghan Morris considers the implications for feminism of a politics which transforms the materials of culture. She also considers the implications for post-modernism and pop theory of recognising the extent to which they already represent a borrowing of feminist thought. In a collection of essays on subjects ranging from blockbuster cinema to art photography, from Foucault to Mary Daly, from Susan Sontag and Jean Baudrillard to Paul Hogan, she argues that a feminist practice of rewriting discourses should emerge from a political critique of the positioning of women, rather than a vague thematics of changing things.