Search results for: shirin-neshat-2002-2005

Shirin Neshat

Author : Shirin Neshat
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"In her profoundly beautiful films Shirin Neshat raises the most pressing converns and predicaments of humanity: the conflict between madness and civilization, freedom and constraint, order and change, inhibition and release, despair and rage. This book documents the visusal, philisophical, and moral complexity of her uncompromising artistic quest."--Back cover.

Shirin Neshat

Author : Steven Henry Madoff
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"In her mesmerizing films and photographs, Shirin Neshat (Iranian-American, b. Qazvin, 1957) examines the nuances of power and identity in the Islamic world--particularly in her native country of Iran, where she lived until 1975. This book, the companion volume to the Smithsonian's Hirshhorn Museum exhibition of the same name, presents an array of Neshat's most compelling works, illuminating the points at which cultural and political events have inflected her artistic practice. Included are the "Women of Allah" photographs that catapulted the artist to international acclaim in the 1990s; lyrical video installations, which immerse the viewer in imagery and sound; and the photographic series "The Book of Kings"--including its latest chapter, Our House Is on Fire, created in the aftermath of the recent Egyptian revolutions. Commenting on freedom and loss, Neshat's deeply humanistic art is at once personal, political, and allegorical, and this book is an essential testament to its enduring power"--

After the Revolution

Author : Eleanor Heartney
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"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.

A History of Women Photographers

Author : Naomi Rosenblum
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The definitive text on women in photography, now in an affordable paperback edition.

Religion and Everyday Life and Culture 3 Volumes

Author : Richard D. Hecht
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This intriguing three-volume set explores the ways in which religion is bound to the practice of daily life and how daily life is bound to religion.

Art and AsiaPacific

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Contemporary Iranian Art

Author : Talinn Grigor
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In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.

Women Art and Literature in the Iranian Diaspora

Author : Mehraneh Ebrahimi
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Does the study of aesthetics have tangible effects in the real world? Does examining the work of diaspora writers and artists change our view of "the Other"? In this thoughtful book, Ebrahimi argues that an education in the humanities is as essential as one in politics and ethics, critically training the imagination toward greater empathy. Despite the surge in Iranian memoirs, their contributions to debunking an abstract idea of terror and their role in encouraging democratic thinking remain understudied. In examining creative work by women of Iranian descent, Ebrahimi argues that Shirin Neshat, Marjane Satrapi, and Parsua Bashi make the Other familiar and break a cycle of reactionary xenophobia. These authors, instead of relying on indignation, build imaginative bridges in their work that make it impossible to blame one evil, external enemy. Ebrahimi explores both classic and hybrid art forms, including graphic novels and photo-poetry, to advocate for the importance of aesthetics to inform and influence a global community. Drawing on the theories of Rancière, Butler, Arendt, and Levinas, Ebrahimi identifies the ways in which these works give a human face to the Other, creating the space and language to imagine a new political and ethical landscape.

Art AsiaPacific Almanac

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Women Art and Society

Author : Whitney Chadwick
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"This study challenges the assumption that great women artists are exceptions to the rule who "transcended" their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality."--BOOK JACKET.

Grove Encyclopedia of Islamic Art Architecture Three Volume Set

Author : Jonathan Bloom
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Oxford University Press is proud to present the most up-to-date and comprehensive encyclopedia in this field. In three illustrated volumes with more than 1,500 entries, the Encyclopedia deals with all aspects of this important area of study, ranging from the Middle East to Central Asia to Southeast Asia and Africa as well as Europe and North America. The Grove Encyclopedia of Islamic Art and Architecture covers all subject areas including: artists, ruler, writers, architecture, ceramics, sculpture, painting, calligraphy, coins, textiles, and much more.

Foto Kunst

Author : Lucie Binder-Sabha
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Art in America

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Inscribing Meaning

Author : Amelia King-Kostelac
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Ghosting

Author : Jane Connarty
File Size : 53.35 MB
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Fuse Magazine

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Art History

Author : Marilyn Stokstad
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Marilyn Stokstad's landmark survey has been thoroughly revised and updated with heavily reworked sections on Renaissance, Baroque and Modern art as well as a completely new design and larger and more numerous illustrations.

Generation 1 5

Author : Tom Finkelpearl
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In an increasingly globalized cultural landscape, artists are often asked to represent their "home" country. But what if identifying home is a complex matter? The Queens Museum of Art organized the exhibition Generation 1.5 with this sort of ambiguity of origin in mind. With a title taking its name from the Korean-American phrase describing people who moved to a new country between the ages of 12 and 18, Generation 1.5 featured eight artists who made this transition--Ellen Harvey, Pablo Helguera, Emily Jacir, Lee Mingwei, Shirin Neshat, Seher Shah, Rirkrit Tiravanija and Nari Ward. This volume examines Generation 1.5 and the featured artists through interviews and essays that address cultural representation, cosmopolitanism, personal expression, alienation, the pain of transition, immigration, exile, and the complexity and limitations of identity politics. With essays and interviews by Man Booker Prize winner Kiran Desai, Pulitzer Prize finalist Suketu Mehta plus noted sociologists, artists, writers and curators.

Performa

Author : RoseLee Goldberg
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By RoseLee Goldberg. Photos by Paula Court. Introduction by RoseLee Goldberg. Edited by Jennifer Liese. Text by RoseLee Goldberg, Defne Ayas, Lia Gangitano, Sofia Hernandez Chong Cuy, Anthony Huberman, Lyra Kilston, Andrew Lampert, Christian Rattemeyer.

What Is Contemporary Art

Author : Terry Smith
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Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going.